Project Snapshot

For Canopy’s Pack4Good campaign, creative studio People’s Television, with teams in New York and Washington, D.C., set out to dramatise how packaging choices impact forests through a quirky rom-com storyline featuring “Sweetfella,” a chocolate-bar hero, and Flora, a forest guardian. 

Challenge

Although People’s Television is renowned for festival-calibre documentaries like Minted, which premiered at Tribeca and now streams on Netflix, this was their first project built primarily with AI. They had narrative and motion-graphics talent in house but knew unforeseen hurdles could threaten the immovable Valentine’s deadline. To de-risk the schedule, they invited Arthur Machado to join as AI consultant, having seen previous work in the same space and knowing it would help them achieve their goals within the time constraints of the project. 

AI-Driven Solution

Drawing on prior experience with similar AI productions, Arthur mapped a pipeline flagging and bypassing likely roadblocks before they surfaced. Together with director Cutter Hodierne, the team set a clear cadence for review sessions and made astonishing progress in-between. When the biggest issue arose, keeping Sweetfella’s friendly expression and signature chocolate-shaving texture perfectly consistent, Arthur jumped on the tools himself to train a custom LoRA model.

Outcome

The campaign video launched on Valentine’s Day and headlined Canopy’s call for “forest-free” packaging, with the article praising Sweetfella and Flora’s love story as a fresh way to visualise complex supply-chain issues.

Credits

Client: Canopy Planet

Executive Producer: Nicholas Bruckman & Ryder Haske

Director & Editor: CUTTER HODIERNE

Producer: Jenny Catherall

Animator: Ivan Kander

AI Consultant: Arthur Machado

VO Artist: Meghan Hoople

In partnership with São Paulo design studio MAAR, Arthur Machado acted as AI-artist on Nubank’s “Caixinhas” savings feature, delivering a library of brand-perfect images in record time. Forty core photographs, rendered in three formats for two product tiers, were expanded into 120 final assets, all exuding Nubank’s unmistakable purple and a sun-lit, aspirational mood. 

Project Snapshot

Nubank wanted iconography that would turn the idea of “putting money aside” into something people could feel. MAAR’s brief called for photographic visuals that looked shot on location yet could be produced fast enough to meet a looming app-update deadline.

Challenge

Each asset had to land instantly on a small mobile canvas, stay faithful to Roxinho (mass-market) and Ultravioleta (premium) sub-brands, and preserve icon clarity across three aspect ratios. All of this needed to happen without drifting from Nubank’s global brand system, anchored in its now-iconic purple palette and human-centred design language. 

AI-Driven Solution

LoRA models were trained on Nubank’s guidelines, allowing the use of generative tools to “photograph” perfectly centred objects under soft natural light, wrapped in subtle violet gradients. The healthy mix of human art direction and machine iteration meant textures, shadows and depth could be refined at speed, while LoRA kept every pixel on-brand across all 120 outputs.

Outcome

The asset pack rolled out inside the updated Nubank app without a single revision round, earning internal recognition as a benchmark for high-volume, AI-driven asset production.

Credits

Agency: MAAR.Company
Creative Direction: Fábio Simões & Pedro Burneiko.
AI Artists: Arthur Machado, Pedro Burneiko.